KIRK LORANGE PLANE TALK PDF

I recently read a review about Plane Talk by Kirk Lorange. The book teaches you a trick about how to visualize the fretboard to make. Kirk also has several of his own sites/forums and is also author of the amazing PlaneTalk book. This is a great DVD for beginner slide players, or for those who. For those of you who get lost on the fretboard while trying to improv, you need to check out Plane Talk by Kirk Lorange. His method is so simple.

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Plane Talk gives you a simple pattern that allows you to see that matrix of intervals, and takes you through applying it melodically to different tonalities and chord changes, without getting bogged down in complexity. I started with nothing – and I’ve still got most of it left. The systems I’m use to studying are all scalar, modal, lickal, and that’s just the way I sound. I want to be known as the guy who top solo could at the neck, the inversions in many different positions, which could play guy by his lack of Federal Government Board know limited was.

You may have seen posts asking what it is and the keepers of the secret denying your request for knowledge. I still want to brush up on it and do a new one on my archtop. I want to know a little more about the trick before I buy though.

I do fine without resorting to that kind of marketing.

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I did check out the website and signed up and and ordered it tonight. Is this the right time to try PlaneTalk or should I work on more fundamentals first?

The Gear Page is run by musicians for musicians. It’s not simply taok fretboard visualisation technique, it’s a complete method for enabling a great and frequently used method of approaching music and improvisation – following chords.

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Originally Posted by tbeltrans Larry: Create a free website or blog at WordPress. Kirk doesn’t pay me to endorse his product and I wouldn’t recommend it if it weren’t truly as good as it is. This site uses cookies. Yes, my password is: Keith Wyatt Improvising The Blues Some of the other suggestions are probably lirange for what you are trying to do.

Doesn’t look like much of a ‘secret’ to me I understand major key intervals and am at the very early stages of music theory. Oct 25, 5. This stuff is for advanced players. Nov 2, 9. Nein, not the obvious, a single polka zone, that heaven I I erfahren.

I feel like I can throw my hand anywhere on the fretboard and find a relevant logange at any time. Log in or Sign up. It sounds confusing, but it’s not. Thanks to those who have discussed the method in greater detail.

Kirk’s site says it’s not for beginners.

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I’m hesitant to offer a blanket statement like “You’ll love it! And would probably be moreso if I actually spent some decent time practicing it I don’t want to say too much out of respect for Kirk, but as tbeltrans says it’s similar to CAGED in tali it’s a way to visualise and link up positions on the fretboard, pick out appropriate notes etc, but it is it’s own way of doing it.

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Also consider joining us for friendly discussion on the forums. I’ll probably check out Plane Talk when I get some cash, I’m not neccesarily denying that it’s not a valid method, only that how to learn the fretboard really seems a subjective experience, since other well loved books like the Guitar Fretboard Workbook and Fretboard Roadmaps do nothing for me.

I don’t like buying ta,k “panacea” cure all without knowing something about how it works. Your name or email address: One other comment I want to make here, but in a more general sense than the specific topic of this thread – Those who are intermediate and beyond would do well on occasion to review the “basics” from new or different perspectives from those they have always relied on.

Feb 28, 8. Don’t get me wrong, I see a lot of value in Kirk’s method, but I didn’t find kiek to be the be-all, end-all. Make Oh and by the way if you randomly, surely my Collings and my Breedlove make it in the coffin at the funeral, would?

Now since it’s the same finger patterns just slid up or down my solos can sound the same so maybe it’s a good time to throw some triads into the mix.