Documents Similar To Jerry Bergonzi – Vol.5 – Thesaurus of Intervallic Melodies. Gary Campbell – Expansions. Uploaded by. Andre Linoge. Jerry BergonziVol 2 – . Regarding Volume 5 of Bergonzi’s Thesaurus of Intervallic melodies. What jerry suggested to me to start this book was take the first ten pages. Jazz theory and patterns by the saxophone master.
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He also suggested as you play these, key in on the intervals that you like, think of it as an intervallic highway non patterns, then try over the open vamps take some lines and play them across the vamp then even try it through a blues like for instance there are some play alongs in the back. Is the point that as long as you’re playing SOME KIND of structured pattern, it pretty much doesn’t matter what the song or its underlying harmonic structure is?
Just because you are a musician it doesn’t mean that you’re not expected to write clear introductions and explanations.
Results 1 to 15 of I’m just trying to to get my head around playing that freely and using a random mathmatical approach. Thanks Timberginzi taking the time to explain that.
I recommend getting it still. Thanks, I’ll take another look and bear in mind Tim’s comments. Along with Tim’s advice another thing that is great that I was doing was if I had a long ride to a gig I would put on the CD that comes with it and try to sing through the exercise to the CD while Gergonzi was driving.
Bergonzi Book 5 Thesaurus of Intervallic Melodies
I have the book and understanding what is going on is not a problem, playing the lines is not a problem, but trying to get them into your inteevallic is another thing. He also suggested as you play these, key in on the intervals that you like, think of it as an intervallic highway non patterns, then try over the open vamps take some lines and play them across the vamp then even try it through a blues like for instance there are some play alongs in the back. All times are GMT.
Intervallic studies are fascinating, and Jerry would definitely be one of the few to check out.
Anything that expands the ear is a good thing, Its probably exactly what I need to dive into in fact. I’m a beggonzi confused with it. You really can’t go wrong with Jerry. Sponsored Links Remove Advertisements. Ok – I think I decyphered his code, but that just raises more questions. Can someone clue me in here?
Jerry Bergonzi – Vol.5 – Thesaurus of Intervallic Melodies – PDF Free Download
What jerry suggested to me to start this book was take the first ten pages and sing them over a C major triad, then over E major and Ab triads then some minor triads, this inyervallic the ear accepts the harmony rub. Excuse me Jerry but you dropped a page of the introduction on the floor before it got to the printers. Bookmarks Bookmarks Digg del.
It’s an acquired taste. A student can see that with creative rhythms it is possible bertonzi make even a really angular line sound right.
Like I said, I’m slow I’m assuming it’s random. Why not go FFFF11 but vary the patten? I have also one question.
In just the very short time I’ve used it, it’s opening my playing up to other worlds Like the nasal characteristic of a C going to the D. That seems to work for me jeerry now. The time now is Why have a song there at all if all you’re doing is playing cool patterns?
Kind Regards to you All, Kenfen. It makes things a lot clearer. The book is usable, so is Lateef’s, without knowing what’s going on but it seems to be an integral part of this that there is a method in there somewhere and it would be nice to be let in on the method behind these lines, especially after I’ve bought the book, otherwise they are just random.
I use the book most often for pitch exersizes.
Jerry Bergonzi – Vol.5 – Thesaurus of Intervallic Melodies
That reminds me I have to start practicing that again! I also get students to think more rhythmically by having them improvise their own rhythms over the line Bergonzi provided. You also have a set of letters and numbers at the top of the page and then a whole different set above off set of 4 or 5 notes.